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Movie Title: Donovan’s Reef Donovan’s Reef is available for streaming or downloading. |
What do you do when you’re a workaholic 68-year-old director, and your doctor orders you to remove a vacation? Well, if you are John Ford, you grab John Wayne and your ‘Stock Company’ of actors, jaunt off to Kauai, the “Flower Isle” of Hawaii, and build “Donovan’s Reef”, a weak, brawling comedy! While the film was certainly not ‘top-drawer’ for either the director or star, it is a kindly diversion, and would stamp the final ‘film’ teaming of the legendary pair.
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“Donovan’s Reef”, equal parts “South Pacific”, “Hawaii”, “What Designate Glory? “, and “She Wore a Yellow Ribbon”, was already ‘nostalgic’, by the time it was made, as so many actors who would have been Ford ‘naturals’ in key roles had passed away, or were too aged to play the characters believably. Thus you have Lee Marvin instead of Victor McLaglen, Jack Warden in a ‘Ward Bond’ role, and Elizabeth Allen in a share ‘tailor-made’ for a younger Maureen O’Hara. Even Wayne, himself, at 56, seems a bit ‘long-in-the-tooth’ for the physical demands of his role (absorbing the 32-year-old Allen in a swimming bustle? ), as well as the romance (a fact that even the Duke would agree with; this would ticket the last time he would play a romantic lead, ‘winning’ an actress so noteworthy younger) . Also, radiant that in less than two years Wayne would lose a lung to cancer, one winces at the number of cigarettes he lights up, throughout the film. “Donovan’s Reef” was certainly geared to an earlier time and sensibility.
All this being said, if you can leave 21st century wisdom about tobacco and alcohol abuse “at the door”, the film is a treat, with postcard images of Hawaii, Lee Marvin, an ‘over-the-top’ joy as Wayne’s drunken buddy/adversary (tuning up for his Oscar-winning role in “Cat Ballou”), hilarious help from Cesar Romero as the lecherous Governor/General, and Dorothy Lamour (who’d starred in Ford’s classic South Seas adventure, “The Hurricane”), as a husband-hungry chanteuse, and, in memorable bit roles, Duke’s son, Patrick, Edgar Buchanan, Dick Foran, and Mike Mazurki.
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I truly wish there WERE a “Donovan’s Reef” in our world…it’s the kind of residence where I’d want to live!
There are days when things impartial don’t go lawful. Business doesn’t hit on all cylinders, or something in one’s personal life is out of alignment. Irritation can region in. Frustration. Unbiased listless obsolete down-in-the-dumps mopeyness.
There ARE things that can be done about this, especially if you have a VHS or DVD player. You can pop in any number of reliable movies and exhaust your scene selector to catch you to that “special piece” that objective warms your heart and chases your blues away.
You can sight the demolish of “Shenandoah” from the point where Jimmy Stewart goes to the family cemetery to talk to his wife Martha, on through to the arrival of “the boy” in the middle of Sunday preaching. Or you can see James Cagney as George M. Cohan gain his Medal of Honor from FDR in “Yankee Doodle Dandy”, tap dance down the White House steps and join in the troop parade down Pennsylvania Avenue singing “Over There”. Or you can scene-select to the Von Trapp family singing “Edelweiss” as a farewell appearance at the Salzburg Music Festival in “The Sound of Music” and then follow them across the alps into Switzerland at the finish to that shapely film. OR, if the season is honest, you can hastily jump to the Columbia Inn in Pine Tree, Vermont, in time to perceive retired General “Tom Waverly”(Dean Jagger) gain sandbagged by Bing Crosby, Danny Kaye and company at the surprise reunion of the “151st Division” at the raze of “White Christmas”.
OR…you can glide in “Donovans Reef” and fair sit encourage and LET THE WHOLE THING ROLL!!!!! Because from the first moment of the opening credits, when the exquisite, infectious musical rendition of “Pupa O Ewa” (“Pearly Shells”) cranks up…until the very waste of the film…when “Pupa O Ewa” is cranking again…you can objective leave your “doldrums” gradual.
A “downer” mentality cannot stand up to “Donovan’s Reef” for long.
This 1963 “swan song” for the collaborative filmmaking team of John Ford and John Wayne is one of the most delicious light comedies ever achieve to film. There are many movie aficionadoes who like Grant & Hepburn in “Bringing Up Baby”, Hepburn & Tracy in “Adam’s Rib” and such, and you can’t “diss” classics like “Some Like It Hot” and numerous Doris Day vehicles. But me, I say “Donovan’s Reef” belongs up there with the best of them.
There’s not a lot of rapid repartee here, but that doesn’t matter. Neither does the fact that it seems almost a case of “Let’s compose this up as we go along” moviemaking. “Hmmmm. This is a Paramount Describe”, location in the South Pacific…Hey!!!…let’s net Dorothy Lamour for it!!!!!”. However it was conceived and build together…IT WORKS!!
It is a mountainous, boozy, knuckleheaded comedy that works because it has really edifying actors in it, having a really estimable time, turning out a chronicle paunchy of heart…all under the guidance of one of Hollywood’s greatest directors.
John Wayne is Michael “Guns’ Donovan, bar owner of “Donovan’s Reef”…a space Jimmy Buffet would surely like to visit. Lee Marvin is Donovan’s faded war buddy “Boats” Gilhooly, who is his rival in “most everything”. They fight a lot, especially since they section the same birthday and neither likes to allotment. Some of the staged “altercations” between them smack of Wayne vs. McGlaglen in “The Aloof Man”. Jack Warden is the local missionary doctor, a widower twice over, who has three children by a polynesian wife (royalty), and one older daughter from his first marraige in America.
Island frivolities accumulate sidetracked when word comes that the older daughter (a “worthy Bostonian”) is coming to watch her father
(on a covert investigatory mission to seek if a will can be broken) . Suspecting this daughter, Amelia (Elizabeth Allen), might be a racist who might hurtfully interact with her mixed accelerate siblings, Wayne & company stage a “switcheroo” con on Ms. Dedham from Boston…one which represents the Duke (“Guns”) as their father and not “The Doc”.
The course of the film is about establishing the con and then maintaining it. They fail in this, but it turns out not to matter. Amelia is not entirely the prig they acquire her to be…and by the raze of the movie she is no prig at all.
This is a fun movie to eye and experience. The cast is uniformly sizable. Cesar Romero is a hoot as the French colonial governor, as is John Fong as his assistant. Mike Mazurki is droll as a local gendarme and Marcel Dalio evokes his gain part of chuckles as the island priest. The children are played quite well by Jacqueline Malouf, Cherylene Lee, and Tim Stafford. Jacqueline Malouf, in particular, is appealingly winsome as Leilani, the eldest of the three island children and the heir to her mother’s throne. A scene arrive the raze of the film where Amelia realizes Leilani is her sister and overturns “the con” is absolutely…exhiliratingly…heart warming.
Is this a feel-good movie? You betcha. A “South Seas” situation of mind caught on quite strongly in the early 1960s. This trend had three basic points of origin…the play and film version of “South Pacific”, a very current television series called “Adventures In Paradise”, and salubrious used “Donovan’s Reef”.
Three fine deals, all the plan around.
As for Duke’s extinguish of the deal,this DVD edition of “Reef” is unprejudiced handsome. The sound is worthy, as is the image transfer. The colors of Hawaii reach out gloriously in this…as one would question when the lens work was done by William Clothier, one of the greatest of all Hollywood cinematographers. And Cyril Mockridge’s musical scoring is sublime, especially his choice to feature “Pupa O Ewa” extensively in the movie. That song gets under your skin and STAYS there…and will often reach befriend to stick in your mind when you are nowhere reach a television site or DVD player.
“Donovan’s Reef” …or “Gilhooly’s Reef”…makes no nevermind to me. I savor it unprejudiced the same. Thanks Duke, and thanks Mr. Ford.
We owe you.
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